Whats The Difference Between Pityriasis Rosea

Turandot (17) - The Meltdown

Immediately after the death Liu's what a real dirge from the crowd and Timur, Calaf and Turandot attacking bursts almost tearing the veil to force her to see blood shed for you, get "down to earth" from his throne of ice and "tragic heaven" in which it was perched.
We had never seen so furious Calaf: yes indeed, early work, when he rails in defense of the young prince who is brought to the scaffold, cursing Turandot, but then, when he saw the charm of the virginal princess, is taken from all hope of victory. Now comes the task ecstatic contemplation and intellectual solver of puzzles and pulls out a capacity for action that completely displaces Turandot, which tries to defend himself taking refuge in the old patterns of his role ("How dare you ever, stranger! Things are not human . I am the daughter of Heaven, free and pure "). Calaf shortens the distance and suddenly switch from aggression to almost kiss (the eternal struggle between similarity and love, the deep bond between Ares and Aphrodite), and despite Requests not to be profaned, Turandot gives loosening the last resistance and leaves, not before he whispered: "What is me?" Lost. " This statement is very important because it marks the end and death of the party hostile to Turandot, which can never be as before, the end that goes parallel to the death of Liu. From the psychological point of view then the dead are actually two and they are both required to engage the "new" woman, free from dependence on Liù but also the coldness and hatred of Turandot. It is the mysterious but profound reality of the transformation, which always passes through death: if something does not die of old personality can not the new birth, and there were two sides to sacrifice, both excessive and unilateral lated with each other.

can bring out a rattle that Calaf part so determined and "macho", but at the moment is what we need: It is important that, along with kindness and patience, man at the right time there is a strong and clearly "penetrating", a "look Ares" where the action takes over. There is a myth in the development of women and that of the abduction of Persephone, the young virgin daughter of Demeter, from Hades, the powerful god of the underworld. It is a very complex myth, which Jung has worked extensively in his essay "Psychological aspects the figure of Core and Eric Neumann takes over in "The psychology of women." Basically, to access a more complete development and meet the man, you have the "maiden Core" is compelled by a strong and determined man, a "mild violence". that still linked to the mother (Core related to Demeter) must be a tear, which is equivalent to the virginal consciousness being kidnapped and carried in the realm of the underworld, so the distance between the girl and sexuality adult, with the experience to give himself a man. It is a shocking event and a very significant and irreversible step of initiation. Only then can re-establish deeper spiritual unity between mother and daughter and to inaugurate the "Eleusinian Mysteries", expanding to include the feminine consciousness intrapsychic mother-daughter axis. But because everything is successful and is not therefore a rape, it is necessary that the woman is ready, and here takes the lowering of resistance Calaf in Turandot and rightly warns the lie behind the words ("The frost is your lie! ") and feels it is now ready for rapprochement.

It is now dawn and the proximity of the sun marks the end of darkness as a blackout of consciousness. And the singing of children consecrates the union between "light" and "life", taking up the prophetic theme of the beginning, while Calaf rejoices "My flower morning."

Click here to the text of "Princess of death."

CALAF
Princess of Death!
Princess of ice!
from your tragic
come down from heaven on earth!
Ah, lifting the veil!
Look, cruel,

that pure blood that was shed for you!

TURANDOT
What ever dare you, stranger! What
are not human!
I am the daughter of Heaven,
free and pure.
You squeeze my cool veil
but the soul is there!

CALAF
Your soul is high,
but your body is near!
With burning hands shake
the flaps of your coat with gold stars.
My mouth quivering presses about you ...

TURANDOT
is a profanation!

CALAF
Ah, to feel alive!

TURANDOT
Back!

CALAF
your Frost is a lie!

TURANDOT
No, no never possess me!

CALAF
You shall be mine!

TURANDOT
Dell'Eva torment
not be repeated! Ah, no!

CALAF
You shall be mine!

TURANDOT
Do not touch me, stranger!
is a sacrilege!

CALAF
No, your kiss
gives me an eternity!

TURANDOT
Sacrilege!
What is to become of me? Lost! My

CALAF
flower! Oh, my morning flower!
My flower, you breath!
your breasts lily,
ah, quiver on my chest!
Already I feel you lack sweetness,
all white in your blanket of silver ...

TURANDOT
How did you conquer?

CALAF
Cry?

TURANDOT
It is dawn! Turandot set!

Boys
Dawn! Light and life! Everything is pure!

MEN
Dawn! Light and life!
Princess, that sweetness in your tears!

CALAF
It is dawn! And love is born with the sun!

Boys
Everything is holy! What sweetness in your tears!

TURANDOT
I see that no,
my glory is over!

CALAF
No! It begins!

TURANDOT
Shame on me!

CALAF
Miracle! Your glory shines
enchantment of the first kiss, the first
tears!

TURANDOT
first tears. Ah! My first tears!
Yes, stranger, when you arrived,
with anguish I felt the thrill of this fatal
supreme evil.
I have seen many die for me!
And I despised them. But I fear you!
There in your eyes the light of the heroes.
There was the superb confidence in your eyes. And
hated thee for that!
And for that I loved you!
Tormented and divided equally between two terrors:
conquer or be conquered. It is
won!
Ah! Won, much by trial
from this fever that comes to you!